Tuning, Intonation, and Temperament: Choosing Frequencies for Musical Notes
Identifieur interne : 000057 ( Main/Exploration ); précédent : 000056; suivant : 000058Tuning, Intonation, and Temperament: Choosing Frequencies for Musical Notes
Auteurs : Leon Gunther [États-Unis]Source :
Abstract
Abstract: Imagine yourself seated in a concert hall, anticipating the beginning of a symphony orchestra performance. The musicians are all seated. The concertmaster rises and calls to the oboist to sound the “A,” which will be the standard pitch that all others will use to tune their instruments. In advance the oboist has tuned the oboe to the standard frequency chosen by the orchestra, which is usually a frequency of 440 Hz. The winds and brass and tympani tune their instruments accordingly.
Url:
DOI: 10.1007/978-1-4614-0557-3_11
Affiliations:
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<front><div type="abstract" xml:lang="en">Abstract: Imagine yourself seated in a concert hall, anticipating the beginning of a symphony orchestra performance. The musicians are all seated. The concertmaster rises and calls to the oboist to sound the “A,” which will be the standard pitch that all others will use to tune their instruments. In advance the oboist has tuned the oboe to the standard frequency chosen by the orchestra, which is usually a frequency of 440 Hz. The winds and brass and tympani tune their instruments accordingly.</div>
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